Strelnikoff Vladimir · 03-Окт-24 20:35(5 месяцев 30 дней назад)
T.P. Orchestre Poly-Rythmo de Cotonou Zoundegnon Bernard 'Papillon' guitariste principal . T.P. Orchestre Poly-Rythmo de Cotonou [formed]: 1968, Benin (Cotonou, Littoral) Жанры альбома: Soukous, Fon Music Издатель: Not on Label [self-released] Дата переиздания: 28.01.2023 Дата первого релиза: 1977 Аудиокодек: FLAC (*flac) Тип рипа: tracks Носитель: WEB Источник: Deezer . Треклист.[00:33:17] 01.Chérie coco.(16:58)
02.Mille fois merci.(16:19)
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auCDtect Task Manager
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Zoundegnon Bernard 'Papillon' guitariste principal Folder: T.P. Orchestre Poly-Rythmo de Cotonou - 1977 - Zoundegnon Bernard 'Papillon' guitariste principal (web, 2023) Audio files: 01. Chérie coco.flac [16:57.507; FLAC • 872 kbps • 16 bit \ 44100 Hz • stereo; 105.84 MB (110 978 052 B)] 02. Mille fois merci.flac [16:18.867; FLAC • 902 kbps • 16 bit \ 44100 Hz • stereo; 105.31 MB (110 427 729 B)] Accuracy: -m0 File 01. Chérie coco - 95% MPEG [16:57:38] File 02. Mille fois merci - 95% MPEG [16:18:65] ————— Summary: ————— These tracks looks like MPEGs with probability 99%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 31.6 s Log created at September 22, 2024 00:26:41 === D6A629959DFED7C5C358E0E77DAFB33263D9F08407EB997E476CBD082499CB54 ===
official DR value
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2024-09-22 00:26:06 -------------------------------------------------------------------------------- Album : Zoundegnon Bernard 'Papillon' guitariste principal Year : 2023 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 0.00 dB -11.84 dB 16:58 01 - Chérie coco / T.P. Orchestre Poly-Rythmo de Cotonou DR11 0.00 dB -11.45 dB 16:19 02 - Mille fois merci / T.P. Orchestre Poly-Rythmo de Cotonou -------------------------------------------------------------------------------- Number of tracks : 2 Official DR Value: DR11 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 887 kbps Codec : FLAC ================================================================================
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Soukous
Soukous is a popular style of guitar-led Congolese dance music blending rhythms from Cuban Music with the traditional music of the Congo area. The style is typically defined by bright, intricate guitar lines and improvisations, often played high on the fretboard. Various ensemble sizes may be used, with upwards of three guitars sometimes employed simultaneously. Prominent horn and vocal arrangements are occasionally incorporated as well. Lyrics are often sung across ethnic boundaries, making them accessible to both French and Lingala-speaking listeners. Originally emerging from Congolese Rumba, the name soukous (originating from the French word secouer, meaning "to shake") was introduced in the late 1960s as some Congolese artists began emphasizing faster dance tempos and virtuosic guitar improvisation. A second wave in the 1970s, led by Franco & OK Jazz and Zaiko Langa Langa, saw the genre downplay the horn section and become popular across Africa. In the 1980s, it began to incorporate elements from other African and European styles, including synthesizers and modern production approaches, with Paris becoming a European center of soukous. Soukous remains one of the best known styles of Central African Music and African popular music in general, with artists such as Soukous Stars, Kanda Bongo Man and Loketo winning early favor among European audiences.
Fon Music
Fon music encompasses musical traditions from central and southeastern Benin, as well as the southwestern region of Nigeria. These traditions are also shared by minor groups such as the Mahi (or Maxi) and the Gun. The cities of Abomey and Porto Novo have been historically important in the development of the different styles of Fon music; both cities were ruled by the Aja peoples who mixed with the local tribes giving rise to the present-day Fon. Due to its historic development, Fon music has become one of the richest genres of the area, which is clear in its wide variety of percussion instruments ranging from bells and talking drums to water percussion, log xylophones and jar drums. The instrumentation varies depending on the context and purpose of the music. For example, while hunters play whistles, royal musicians play ivory horns. Ceremonial vodun music is similar to that of the Yoruba people, and different types of rituals and festivals have distinct musical styles. The common elements of most are polyrhythmic drumming and call-and-response chanting. Dancing is an important component of the Fon music performance, especially in Zinli, a genre that originated as funerary music, but is now played in many other contexts. Tchinkoumé is a derivation of zinli music developed by the Mahi in central Benin, while Tchink System is a contemporary version of tchinkoumé. Traditional Fon musicians include Alèkpéhanhou (zinli master), Anatole Houndeffo (tchinkoumé master), Yedenou Adjahoui (massé-gohoun master) and his disciple Dossou Letriki. Contemporary Fon acts include Stan Tohon, the creator of tchink-system; Angélique Kidjo, a highly successful singer that combines her Fon roots with R&B and Pop, and above all T.P. Orchestre Poly-Rythmo de Cotonou, an ensemble which has expanded Fon music in the form of Afro-Funk. Other well-known groups that have developed fusion genres based on Fon traditions include El Rego et Ses Commandos, Black Santiago and Africando. Fon music has also been introduced into Jazz by artists such as Gangbé Brass Band and Lionel Loueke. The label Albarika Store has been the main distributor of Fon music and Beninese Afro-funk since 1969. Nonetheless, Fon music is not only found in Benin, but also in the American regions where Fon slaves were taken. Together with Ewe Music, Fon music is the basis of Arará, a type of Afro-Cuban ritual music, as well as its Caribbean counterparts: Rada in Haiti and Trinidad, and Arada in Carriacou. Similarly, Afro-Brazilian Candomblé Music is mainly rooted in Fon and Ewe traditions.
