Caterina Sforza · 20-Июл-17 06:33(7 лет 8 месяцев назад, ред. 26-Июл-17 02:56)
Boyce - Ode for St Cecilia's Day Жанр: Classical vocal Страна-производитель диска: Made in England Год издания диска: 2000 Издатель (лейбл): Guadeamus / ASV Digital Номер по каталогу: ASV GAU200 Дата записи: 2000 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 67'55 Источник: релизер сайт-источник/ник/другое: MT meeting music Наличие сканов в содержимом раздачи: да
Треклист
1. I. Vivace - Adagio - Allegro 2. II. Gavot: Andante 3. III. Minuetto Allegro 4. See Fam'd Apollo And The Nine 5. Immortal Love, With Tuneful Lyres 6. Aloft The Strains Melodious Swiftly Fly 7. When A Tender, Virtous Passion 8. Hark! The Loud Trumpet Calls A Youth To Arms 9. The Hero Whom A Fair One Fires 10. Ah! Say, Could Painting, Could The Weeping Muse 11. What Cruel Pangs The Lover Feels 12. Thus, Whilst The Muse Love's Boundless Influence 13. Sprung From Gods, Immortal Love 14. Largo - Allegro 15. Hail Harmony! 16. Gracious Power, To Thee We Owe 17. At Music's Sacred Name 18. With Celestial Glory Crown'd 19. Mortals, In Hymns Of Tuneful Joy 20. Music, Gently 21. Pleas'd The Celestial Visitant Surveys 22. As Nature With Sun Revives 23. The Captive, Bound In Rankling Chains 24. The Melting Them Transports Each Mortal Breast 25. Music Can The Passions Raise 26. Now The Aetherial Lyrist Sweeps The Strings 27. Mortals, Scorn The Boasted Nine 28. Leave Transient Joys, And Raise The Theme 29. Thus Will Your Hymns, Like Incense, Rise 30. Dislay His Goodness, Hial His Might
Треклист II
Ode For St Cecilia's Day (67:55) 1 Part 1 No. 1 (Overture) 3:33 2 Part 1 1:37 3 Part 1 1:40 4 Part 1 No. 2 (Chorus) 3:18 5 Part 1 No. 3 (Duet) 6:39 6 Part 1 No. 4 (Recitative) 0:46 7 Part 1 No. 5 (Aria) 3:16 8 Part 1 No. 6 (Recitative) 0:49 9 Part 1 No. 7 (Aria) 4:47 10 Part 1 No. 8 (Recitative) 0:34 11 Part 1 No. 9 (Aria) 3:56 12 Part 1 No. 10 (Recitative) 0:14 13 Part 1 No. 11 (Chorus) 1:40 14 Part 2 No. 12 (Overture) 3:22 15 Part 2 No. 13 (Chorus) 4:21 16 Part 2 No. 14 (Aria) 1:26 17 Part 2 No. 15 (Recitative) 0:43 18 Part 2 No. 16 (Aria) 3:25 19 Part 2 No. 17 (Recitative) 4:58 20 Part 2 No. 18 (Aria) 5:58 21 Part 2 No. 19 (Recitative) 0:47 22 Part 2 No. 20 (Duet) 3:37 23 Part 2 No. 21 (Aria) 6:18 24 Part 2 No. 22 (Recitative) 0:30 25 Part 2 No. 23 (Aria) 1:36 26 Part 2 No. 24 (Recitative) 0:14 27 Part 2 No. 25 (Aria) 2:24 28 Part 2 No. 26 (Recitative) 1:33 29 Part 2 (Allegro) 0:23 30 Part 2 No. 27 (Chorus) 3:17
Исполнители
William Boyce Ode for St Cecilia's Day Leader – Pavlo Beznosiuk Soprano Vocals [Boy Soprano] – Patrick Burrowes Countertenor Vocals – Andrew Watts Alto Vocals – William Purefoy Tenor Vocals – Richard Edgar-Wilson Bass Vocals, Baritone Vocals [Bass-baritone] – Michael George (3) The Choir of New College, Oxford The Hanover Band Graham Lea-Cox, conductor Audio CD (April 25, 2000)
REM DISCID A712401E REM COMMENT "ExactAudioCopy v1.3" PERFORMER "The Hanover Band, Graham Lea-Cox" TITLE "Boyce, Ode for St. Cecilia's Day" REM COMPOSER "William Boyce" FILE "William Boyce - Ode for St. Cecilia's Day.flac" WAVE TRACK 01 AUDIO TITLE "Overture: Vivace - Adagio - Allegro" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Overture: Andante" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 03:33:23 INDEX 01 03:33:45 TRACK 03 AUDIO TITLE "Overture: Minuetto allegro" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 05:10:40 INDEX 01 05:11:15 TRACK 04 AUDIO TITLE "Chorus: See fam'd Apollo and the nine" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 06:51:36 TRACK 05 AUDIO TITLE "Duet: Immortal Love, with tuneful lyres" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 10:09:14 INDEX 01 10:11:54 TRACK 06 AUDIO TITLE "Recitative: Aloft the strains melodious swiftly fly" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 16:50:61 TRACK 07 AUDIO TITLE "Aria: When a tender, virtuous passion" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 17:37:12 TRACK 08 AUDIO TITLE "Recitative: Hark! the loud trumpet calls a youth to arms" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 20:53:18 INDEX 01 20:53:59 TRACK 09 AUDIO TITLE "Aria: The hero whom a fair one fires" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 21:43:08 TRACK 10 AUDIO TITLE "Recitative: Ah! say, could Painting, could the weeping Muse" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 26:30:06 INDEX 01 26:30:47 TRACK 11 AUDIO TITLE "Aria: What cruel pangs the lover feels" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 27:04:44 TRACK 12 AUDIO TITLE "Recitative: Thus, whilst the Muse Love's boundless influence sings" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 31:00:12 TRACK 13 AUDIO TITLE "Chorus: Sprung from Gods, immortal Love" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 31:14:02 TRACK 14 AUDIO TITLE "Overture: Largo - Allegro" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 32:54:32 INDEX 01 32:58:59 TRACK 15 AUDIO TITLE "Chorus: Hail Harmony!" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 36:20:42 TRACK 16 AUDIO TITLE "Aria: Gracious Power, to thee we owe" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 40:41:19 INDEX 01 40:42:66 TRACK 17 AUDIO TITLE "Recitative: At Music's sacred name" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 42:08:74 TRACK 18 AUDIO TITLE "Aria: With celestial glory crown'd" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 42:51:44 TRACK 19 AUDIO TITLE "Recitative: Mortals, in hymns of tuneful joy" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 46:16:21 TRACK 20 AUDIO TITLE "Aria: Music, gently soothing power" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 51:14:51 TRACK 21 AUDIO TITLE "Recitative: Pleas'd the celestial visitant surverys" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 57:12:17 INDEX 01 57:12:60 TRACK 22 AUDIO TITLE "Duet: As nature with the sun revives" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 57:59:61 INDEX 01 57:59:69 TRACK 23 AUDIO TITLE "Aria: The captive, bound in rankling chains" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 61:37:24 INDEX 01 61:37:49 TRACK 24 AUDIO TITLE "Recitative: The melting theme transports each mortal breast" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 00 67:55:30 INDEX 01 67:55:56 TRACK 25 AUDIO TITLE "Aria: Music can the passions raise" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 68:25:47 TRACK 26 AUDIO TITLE "Recitative: Now the aetherial lyrist sweeps the strings" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 70:01:31 TRACK 27 AUDIO TITLE "Aria: Mortals, scorn the boasted nine" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 70:15:53 TRACK 28 AUDIO TITLE "Recitative: Leave transient joys, and raise the theme" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 72:39:32 TRACK 29 AUDIO TITLE "Allegro: Thus will your hymns, like incense, rise" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 74:12:08 TRACK 30 AUDIO TITLE "Chorus: Display His goodness, Hail His might" PERFORMER "The Hanover Band, Graham Lea-Cox" REM COMPOSER "William Boyce" INDEX 01 74:35:44
Доп. информация
The carefully selected works on these four compact discs issued by ASV offer us an opportunity to examine a number of Boyce’s vocal compositions for the first time. The pair of Cecilian odes were composed for the annual celebration each November for the patron saint of music. Boyce’s setting of The Secular Masque—with its text by John Dryden—was first heard at Cambridge in 1749. There is no plot here, only various gods and goddesses discussing what they view as a decline in moral values. Pindar’s Ode was written in 1740 for one of London’s first musical societies, the Apollo Academy. Boyce also composed the shorter of his two Cecilian odes for the Academy, and the oratorio David’s Lamentations over Saul and Jonathan, the latter based on the biblical book of Samuel II. Finally, Ode for the New Year (1774) is self-explanatory, being one of the numerous such works quilled by Boyce for the royal court while he was Master of the King’s Musick. As for the overtures, they have their roots in other dramatic works of Boyce. To dissect each of these compositions would eat up a great deal of space and no doubt would also incur the wrath of my editor’s red pen so I will be as brief as possible. When these discs were released a decade ago, the musical press found much praise from all concerned. Roderick Swanson wrote, “This is superb, infectious music magnificently performed. The New College Choir is on cracking form, as is the Hanover Band. Graham Lea-Cox directs with fire and precision”. Peter Branscombe observed, “Not only is the music enchanting, the performances are full of subtlety and eloquence as well as enthusiasm and spirit. Graham Lea-Cox, who is responsible for the editions used, directs the performances with great skill and discernment; he is equally successful with the wistful and the vigorous numbers, bringing an almost theatrical flair to the argument of the Masque, pomp to the ceremonial music and grace to the dance numbers.” As for me, I am quite impressed as well. Graham Lea-Cox has done an amazing job here. The Hanover Band is alert and spirited, their period strings sing with a nice, silvery tone and the old oboes add their pungent sound to the mix, all in an effort to capture the ethos of Boyce’s scores. The knowledgeable soloists perform in an outstanding manner as well, with appropriate and never over-the-top ornamentation. The boy trebles are quite impressive and basses David Thomas and Michael George have never sounded better! All in all, Graham Lea-Cox has given us a perfect wedding of incredible ease and abounding beauty. These recordings have been out of circulation for a while, but their recent re-emergence and unerring leadership has garnered these four CDs a spot in Fanfare’s Classical Hall of Fame. Michael Carter
