Biota / Cape Flyaway Жанр: Avant-Garde, Experimental, ReR Megacorp Носитель: WEB Страна-производитель диска (релиза): UK Год издания: 2012 Издатель (лейбл): ReR Megacorp Номер по каталогу: ReR BCD7 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 01:14:24 Источник (релизер): WEB Наличие сканов в содержимом раздачи: Треклист:
1 Evening Full (The Lake Isle Of Innisfree) 0:37
2 Everyday Is Not Its Day 2:02
3 Flee And Wander 1:26
4 A Few Short Lines (Black Is The Colour) 9:26
5 Clock Of Keys 4:21
6 The Bonny Boy / Bruton Town 6:51
7 Yet Untold 1:23
8 Life Like Our Own 1:35
9 Ran To Look 6:02
10 Lanten 2:02
11 Probably In The Sea 1:15
12 Valley Of Late 5:42
13 Rosemary Lane 5:30
14 Remember Another Name 5:02
15 Drawn Scarcely 2:12
16 Somewhere When 4:17
17 Arboreal 1:15
18 Of The Linnet's Wings (Innisfree) 4:43
19 Scatter Tree 2:41
20 On This The Other 1:44
21 Once More 4:19
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d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. Evening Full (The Lake Isle Of Innisfree).wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. Everyday Is Not Its Day.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. Flee And Wander.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. A Few Short Lines (Black Is The Colour).wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [05. Clock Of Keys.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06. The Bonny Boy - Bruton Town.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07. Yet Untold.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08. Life Like Our Own.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09. Ran To Look.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10. Lanten.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11. Probably In The Sea.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [12. Valley Of Late.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [13. Rosemary Lane.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [14. Remember Another Name.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [15. Drawn Scarcely.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [16. Somewhere When.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [17. Arboreal.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [18. Of The Linnet's Wings (Innisfree).wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [19. Scatter Tree.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [20. On This The Other.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [21. Once More.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Доп. информация:
Album Reviews
After many, many years of work, this is probably their finest as well as their most accessible. The heavily treated sonic material remains, but as in their last few, it's applied to a very 'folky' under-carriage. Think of the most twisted-yet-musical take possible on Sandy Denny/June Tabor/Judy Collins imaginable and you have a glimmer of what they are doing here. Really nice. REALLY NICE. And a gorgeous art portfolio is included. Highly recommended. "After 5 years of extensive and careful work, the new and much anticipated CD by this extraordinary collective, who have no parallels, no rivals and no peers, is at last complete. It’s a dense and indescribable orchestration of electric and acoustic guitars, clavioline, trumpet, Hammond organ, micromoog, biolmellodrone, electric and acoustic violins, bass, mandolin, accordion, piano, rubab, kit percussion and sometimes voice, layered and radically processed in the unique Biota manner. There is a leitmotif of folk elements in this piece that emerge from the roiling, swirling quicksand of sound we now expect from Biota, with texts by WB Yeats and snatches, arrangements and influences floating by way of Christy Moore, June Tabor, Judy Collins, Sandy Denny, Bert Jansch, the Bothy Band and older traditional sources. Biota craft sonic worlds that relate to, but are not built like, the music with which we are familiar; for them time is a continuum rather than a sequence of events; a simultaneous present in which past and future possibilities exist conterminously. With a 24 page full colour art portfolio from the Biota collective.
This album’s aural world is as vast as space, and seemingly as limitless; they are the one group most apt to embrace the latest technology, and to put it to good use to create "anti-music". But the outcome is so beautifully flowing and amazingly profound that their radical methods create positive change in a sonically transparent way, rather than to bludgeon the listener into submission by means of shock tactics. The result then, is elucidating and exciting. BIOTA are the un-challenged masters of hypnotic sound collage; each instrument is highly treated with effects BEFORE being recorded, which shows that the intention of the music is the means unto itself, and there is no cheating or "fix it in the mix" principles at play. This is real, veritable, and important stuff." - waysidemusic.com Am I hyperbolizing by stating that the “Biota sound” is one of the most immediately identifiable in the history of modern music and, absurdly, also one of the less known? No matter. Quality prevailing upon quantity is a necessity when considering the potential audience of Cape Flyaway – which, like any release by this never-enough-lauded collective of multimedia artists, is destined to remain in the memory and the hearts of those who have been following them from the beginning and are conscious of the process of evolution, refinement and acknowledgement of artistic and cultural roots that has informed the group’s output.
It’s not a real surprise to see British folksong materials employed as a crucial element in this addictive album. Biota have been interested in purely acoustic fonts for a long while: steel-stringed guitars, accordion, violin and zither are a fixture in their palette since decades ago. The coexistence with the vintage sonorities generated by Micromoog and Hammond organ (or the by-now-mythical Biomellodrone *) turns the innumerable transitions to which the music is subjected into a reversal of roles between the sonic object and the listener. It is in fact the latter that gets studied, permeated and ultimately cleansed by a ceaselessly mutating cosmos of interlaced timbres, ever-shifting spectral dissections and incorporeal-yet-solid contrapuntal constituents. Fragments of traditional tunes, the “presence” of Sandy Denny, Bert Jansch, Judy Collins, Christy Moore, June Tabor, Bothy Band as ghost guides; textural remnants that touch the very depths of one’s soul (the ninth track – all are nameless – is literally moving in its juxtaposition of guitar arpeggios, bent-string peculiarity and orchestral evanescence).
Though singling out names in such an outstanding joint effort is profoundly unjust, I’ll force myself to point out the impressive-as-ever mixing and editing job performed by William Sharp (assembling scattered sources and giving them meaning and intensity in a coherent wholeness is not an everyday task), the nearly regretful apparitions of Charles O’Meara’s piano and, of course, the modestly excellent contribution by vocalist Kristianne Gale, whose heartfelt renditions add further humanity to the record. Expectedly (and luckily), the inside booklet contains a set of magnificent visual works by Mnemonists which no word of mine can describe (check www.biotamusic.com for more). The same feel of inadequacy is experienced by this writer whenever a new work by the ensemble is spinning in his player. How to set the continuum of many superimposed existences – biological and aural – into mere words? Can you detail a REM phase without producing nonsensical literature? Can you explain why certain combinations of frequencies make us suddenly envision a blurred phantom of events occurred thirty-five summers prior, in turn eliciting a state of melancholic torpor?
If you can, give me a call. The CD is still emanating its scents as I’m writing, but specifying my exact mental position at the moment is unusually tough. This sense of displacement recurs every five/seven years or so: bet your house that we’ll be there at the next meeting too, incongruously attempting to babble details about what refuses to be detailed. - Massimo Ricci
Состав
Acoustic Guitar, Resophonic Guitar, Additional Guitars – Mark Piersel
Kit Drums, Percussion – Larry Wilson
Electric Guitar, Acoustic Guitar, Clavioline, Zither, Crown Bass, Design, Layout – Tom Katsimpalis
Rhodes, Rhodes & Accordion – Randy Miotke
Electronics, Mix, Edited By, Engineer, Design, Layout – William Sharp
Biomellodrone Keyboard, Micromoog – Randy Yeates
Hammond, Accordion – Gordon Whitlow
Piano – Charles O'Meara
Rubab, Acoustic Guitar (12) – Steve Scholbe
Trumpet – James Gardner
Electric & Acoustic Violin, Mandolin – David Zekman
Voice, Acoustic Guitar – Kristianne Gale
