Photoshop Workbench Volume One [2009]

Disc One
001 – 10:52 – CS2 – Retouching and Color Correcting
002 – 18:01 – CS2 – Using the Info Palette and Curves to Remove a Strong Color Cast, and Color Correcting with the Essential Adjustment Layers
003 – 12:56 – CS2 – Retouching, Color Correcting, and Replacing a Sky
004 – 17:32 – CS2 – Creating a Glowing, Moody, High-Contrast Black and White Image with Accents of Color and Defocused Corners
005 – 10:23 – CS2 – How To Use the Shadow / Highlight Adjustment
006 – 17:18 – CS2 – Imparting an Ethereal Look and Combining Existing Color with Black and White
007 – 18:25 – CS2 – Strengthening the Relationship Between Two Main Subjects Using the Five Essential Adjustment Layers
008 – 13:34 – CS2 – Color Correction and Replacing a Sky with a Manufactured Version
009 – 12:32 – CS2 – Enhancing Complementary Colors and Adding a Vignette
010 – 17:22 – CS2 – Color Management and Color Profiles Overview, and Retouching with the Patch and Clone Stamp Tools
011 – 17:44 – CS2 – Selectively Controlling Focus, Replacing a Sky, Adding Local Contrast, and Exploring Motion Blur
012 – 12:32 – CS2 – Improving a Sunset in a Bus Window, Adding a Vignette, and Exploring Black and White with Color
013 – 13:20 – CS2 – Enhancing Fall Colors, Checking a Histogram, Using Shadow / Highlight, and Adding a Soft Glow
014 – 19:07 – CS2 – Recording the Adjustment Layer Build Action
015 – 15:12 – CS2 – Recovering Shadow and Highlight Detail with Shadow / Highlight, Curves, and the Patch and Clone Stamp Tools
016 – 19:29 – CS2 – Drawing Attention to the Main Subject and an Introduction to Sharpening with Smart Sharpen
017 – 16:00 – CS2 – Leveling a Horizon in the Lens Correction Dialog, Adding a Vignette, and Converting to Black and White
018 – 15:46 – CS2 – Using the Five Essential Adjustment Layers for Color Correction and Exploring a Creative Slap-Zoom Effect
019 – 20:11 – CS2 – Using Shadow / Highlight, Replacing a Sky, Tweaking the Edge Where Sky Meets Horizon, and Draining Color
020 – 16:49 – CS2 – Accentuating the Haunting, Graphic Nature of an Image by Blending Color with Black and White
021 – 23:11 – CS2 – Adding Density to a Sunset with Multiply Mode, Color Correction, and Straightening a Horizon
022 – 15:33 – CS2 – Correcting a Color Cast and Adding a Motion Blur
023 – 16:55 – CS2 – Simulating a Color Grad Filter and Creating the Cotton Candy Waterfall Effect
024 – 21:07 – CS2 – Correcting Pin Cushioning and Barrel Distortion in the Lens Correction Dialog, Removing a Lamppost, and Using Retouching Protection
025 – 16:16 – CS2 – Drawing Attention to the Strongest Elements and Experimenting with a Fisheye Effect
026 – 22:23 – CS2 – Leveling a Horizon, Digital Grafting, Reducing Noise, and Simulating Fog
027 – 20:31 – CS2 – Portrait Retouching (Removing Blemishes, Dodging and Burning, Correcting Skin Tones, Whitening Teeth, and Saturating Lips)
028 – 11:08 – CS2 – Adding Light to Guide the Viewer’s Eye
029 – 16:02 – CS2 – Improving Color Using Selective Color, Hand-Tinting, and Creating a Copyright Brush
030 – 19:18 – CS2 – Accentuating Black and White Elements, Blurring Moving Water, and Replacing a Sky Using a Blending Mode
031 – 19:02 – CS2 – Using the Shadow/Highlight Adjustment, Adding Alpenglow via Advanced Blending, Sharpening with Smart Sharpen, and Using the History Brush
032 – 18:30 – CS2 – Making a Selection with the Magnetic Lasso Tool, Saving the Selection, and Replacing and Blurring the Background
033 – 25:59 – CS2 – Defocusing an Element, Adding Atmospheric Elements such as Steam, and Replacing a Logo
034 – 17:22 – CS2 – Two Approaches for Converting from Color to Black and White – Multiple Hue/Sat Layers and Three Channel Mixer Layers
035 – 19:51 – CS2 – Replacing an Overexposed Background Using Color Range and Various Masking Techniques
036 – 19:59 – CS2 – Toning Down Troubling Highlights and Radially Blurring a Distracting Background
037 – 20:42 – CS2 – How to Incorporate Adobe’s Raw Converter Into Your Workflow and Using the Lens Correction Dialog to Fix Perspective
038 – 19:00 – CS2 – Using Selections to Separate a Subject From the Background (A Pop-Out Photo)
039 – 20:53 – CS2 – Adding Realistic Clouds to a Sky and a Lake
040 – 12:01 – CS2 – Single-Image Mosaic
041 – 14:48 – CS2 – Using Hue/Saturation to Radically Alter Color and Working with Custom Eye Brushes
042 – 12:01 – CS2 – Eliminating Undesirable Elements and Soft-Glow Montage
043 – 14:23 – CS2 – Recording an Action and Batch Processing
044 – 13:51 – CS2 – Intensifying a Sky, Borrowing a Mask, Inverting a Mask, and Adding a Glow to a Light
045 – 15:55 – CS2 – Creating Selective Focus
046 – 17:47 – CS2 – Converting a Photograph Into a Painting Using Filters and Blending Modes, and Adding a Custom Polaroid Border
047 – 16:39 – CS2 – Combining Two Images of the Same Subject to Create the Illusion of Motion
048 – 17:24 – CS2 – Artsy Grunge Effect
049 – 18:28 – CS2 – Automation Overview (Batch Renaming, Adding a Copyright, Batch Processing, Batch Processing in Adobe’s Raw Converter)
050 – 25:07 – CS2 – Sophisticated Retouching Using Protection, Digital Grafting, and the Clone Stamp
051 – 28:14 – CS2 – Hand Coloring a Black and White Image
052 – 13:39 – CS2 – Low-Key Stylized Portrait Effect
053 – 18:16 – CS2 – Multiple Uses for Clipping Masks
054 – 25:42 – CS2 – Painting with Light and Writing an Action to Save Your “Best Of” Images
055 – 28:53 – CS2 – Histogram Overview, Changing a Keyboard Shortcut, Creating a Cotton Candy Waterfall, and Soft-Glow Montage
056 – 24:48 – CS2 – Cropping Non-Destructively, Artful Black and White Conversion, Coffee-Toning, Accentuating Grain, Vignetting Corners, and Adding a Textured Border
057 – 18:18 – CS2 – Using a Smart Object to Wrap an Image Around a Circular Shape
058 – 22:25 – CS2 – Simulating Night Vision and Replacing a Sky Behind Glass
059 – 31:29 – CS2 – Building Density in a Sky, Removing a Blue Cast, and Placing an Image on the Side of a Barn
060 – 26:53 – CS2 – Preparing a Layered Master Photoshop File for Fine Art Printing
061 – 21:30 – CS2 – Creating a Panoramic Motion Collage
062 – 32:56 – CS2 – Black and White Infrared and Color Infrared
063 – 10:42 – CS2 – Creating the Bloom Effect
064 – 13:36 – CS2 – Simulating the Look of a Polarizing Filter
065 – 17:40 – CS2 – Correcting Color Casts When Nothing Neutral is Present
066 – 23:47 – CS2 – Blending Multiple Macro Exposures to Increase Depth of Field
067 – 21:06 – CS2 – Creative Montaging with Blending Modes and Adding a Tattered Edge
068 – 18:35 – CS3 Beta – Enhancing God Beams with Smart Filters and Creating an Animated Look Similar to the Films Waking Life and A Scanner Darkly
069 – 21:47 – CS3 Beta – Fashioning a Realistic Looking Reflection in Water
070 – 23:55 – CS3 Beta – Creating an Image Collage with a Graphic Design Appearance
071 – 22:17 – CS3 Beta – Correcting Perspective in an Architectural Photograph, Stretching Blue Sky, and Adding a Glow to Manmade Lights
072 – 25:49 – CS3 Beta – Creating a Movie Poster from Two Images
073 – 16:53 – CS3 Beta – Examining the Black and White Adjustment Layer in CS3
074 – 16:26 – CS3 Beta – One Fell Swoop Upsampling Using Bicubic Sharper Interpolation
075 – 23:56 – CS3 Beta – Wedding Photography Workflow
076 – 17:28 – CS3 Beta – Processing JPEGs in Adobe Camera Raw
077 – 24:55 – CS2 – Creating a Smart Object Custom Label Template
078 – 27:20 – CS3 Beta – Simulating the “Band of Brothers” Look
079 – 21:16 – CS3 Beta – Cross Processing and Adding a Film Sprocket Border
080 – 34:15 – CS3 Beta – Botanical Dreaming Spring Paint Rollers Composite (Part 1)
081 – 23:52 – CS3 Beta – Botanical Dreaming Spring Paint Rollers Composite (Part 2)
082 – 31:33 – CS3 Beta – Secrets of Selections, Masks, and Layer Styles
083 – 23:36 – CS3 Beta – Making a Great Image Extraordinary Using Local Color Correction
084 – 18:25 – CS3 Beta – Multiple-Exposure Rotate and Zoom Montaging
085 – 24:51 – CS2 – Transforming a Photograph into a Sponge Painting
086 – 14:07 – CS2 – Simulating the Dave Hill Portrait Look
087 – 18:19 – CS3 – Placing a Subject in a Different Background Using Refine Edge on the Mask and Creating a Realistic Shadow
088 – 21:52 – CS3 – Simulating a Graduated Neutral Density Filter and Adding an Organic Brushed In Border
089 – 18:59 – CS3 – Creating a Rotated and Flipped Mirror Montage
090 – 13:48 – CS3 – Working with JPEGs in Adobe Camera Raw and Creating a Soft-Glow Montage Using Smart Objects
Disc Two
091 – 13:11 – CS3 – Creating a Gritty Portrait Look
092 – 35:36 – CS3 – Restoring a Weathered Old Photograph
093 – 37:07 – CS3 – Adobe Camera Raw 4.1 Overview and Fine Art Workflow
094 – 18:27 – CS3 – Simulating the Lensbaby Effect
095 – 19:00 – CS3 – Photoshop CS3 Curves Overview
096 – 24:58 – CS3 – Using Photomerge to Stitch a Panorama
097 – 11:30 – CS3 – Using Auto-Align to Improve a Group Portrait
098 – 31:20 – CS3 – Extensive Golf Course Retouching
099 – 17:42 – CS3 – Creating a Smart Object Portrait Template
100 – 25:34 – CS3 – Blend Mode Toning to Achieve Color Harmony
101 – 18:45 – CS3 – Placing One Subject in a Photo Multiple Times
102 – 24:27 – CS3 – Fine Art Black and White Using Multiple Black and White Adjustment Layers
103 – 19:55 – CS3 – A Smart Object Odyssey
104 – 22:02 – CS3 – Motion Toning
105 – 24:26 – CS3 – Transforming a Snapshot into Fine Art
106 – 30:06 – CS3 – Greenscreen Compositing Project
107 – 12:32 – CS3 – Compositing Two Images to Extend Depth of Field and Accentuating Fog
108 – 22:35 – CS3 – Stitching a Panorama, Making Color and Tonal Changes to Individual Panels in Adobe Camera Raw, and Correcting Distortion
109 – 13:17 – CS3 – Painting with Light on a Soft-Glow Montage
110 – 28:11 – CS3 – Using Blend Modes to Replace a Background and Color Correcting
111 – 21:32 – CS3 – Adding Catch Lights, Dodging Eyes, Adding a Vignette, and Creative High Pass Sharpening
112 – 27:22 – CS3 – Using Adobe Camera Raw to Add Light to Shadows, Improve Color, Reduce Noise, and Add a Vignette, and Hand Coloring in Photoshop
113 – 21:34 – CS3 – Combining Black and White with Cross Processing and Filling a Shape with Another Image
114 – 19:17 – CS3 – Using Adobe Camera Raw to Remove Dust from Multiple Images Simultaneously
115 – 14:08 – CS3 – Adding Drive-By Motion Blur and Applying Levels to a Mask
116 – 29:41 – CS3 – Digital Grafting, Balancing Light, and Creating a Surreal Infrared Black and White Effect
117 – 12:15 – CS3 – Adding a Smart Object Watermark to Variously-Sized Images
118 – 18:32 – CS3 – Mimicking the Look of a Pinhole or Toy Camera
119 – 17:02 – CS3 – Building a Digital Skin Tone Swatch File
120 – 20:11 – CS3 – Leveling a Horizon, Changing Day to Night, and Adding a Beam of Light to a Lighthouse
121 – 13:27 – CS3 – Simulating a Graduated Color Filter
122 – 13:54 – CS3 – Combining Photos and Vector Shapes to Make a Poster
123 – 19:37 – CS3 – Converting a Photo into Line Art
124 – 18:26 – CS3 – Extending Tonal Latitude by Combining Two Exposures
125 – 12:03 – CS3 – Creating a “Time Lapse” Photo from a Single Image
126 – 22:23 – CS3 – Multi-Image Montage, Soft-Glow Montage, and Combining Color with Black and White
127 – 16:15 – CS3 – Compositing Images to Create a Tourism Print Advertisement
128 – 27:25 – CS3 – Using Adobe Camera Raw and Photoshop’s Adjustment Layers for Fine Art Color Correction
129 – 16:20 – CS3 – Using a Loose Selection and Curves to Selectively Tonally Adjust an Image
130 – 20:46 – CS3 – Flawlessly Combining Two Handheld Exposures Using Auto-Align
131 – 18:10 – CS3 – Creating a Dramatic Sepia-Toned Wildlife Portrait
132 – 12:52 – CS3 – Applying a Single Mask to Multiple Collaged Images
133 – 09:40 – CS3 – Enhancing a Soft-Glow Montage with High Pass Sharpening
134 – 22:29 – CS3 – Adding a Painterly Quality with Soft-Glow Montage and Light Painting
135 – 12:59 – CS3 – Rotate and Zoom Montage Using a Mask for Stationary Elements
136 – 10:26 – CS3 – Creating God Beams
137 – 09:01 – CS3 – Correcting Color Casts When a Gray Card or Something Neutral is Not Present
138 – 17:54 – CS3 – Using Soft Light Blending Mode to Add a Glow to Lights
139 – 13:40 – CS3 – Black and White Infrared
140 – 19:26 – CS3 – An Exercise in Creative Montaging
141 – 13:21 – CS3 – Hyper-Real Portraiture
142 – 12:49 – CS3 – Creative Edges and Textures without Using a Mask
143 – 10:26 – CS3 – Designing a Triptych
144 – 05:26 – CS3 – Removing Undesirable Subjects Using Median Stack Mode
145 – 09:34 – CS3 – Camera Raw Excitement
146 – 12:36 – CS3 – Vignetting Photographs
147 – 11:48 – CS3 – Improving a High Contrast Scene
148 – 11:18 – CS3 – Digitally Framing Your Work
149 – 11:18 – CS3 – Retouching Along a Sensitive Edge (How to Set Up a Protective Barrier)
150 – 08:35 – CS3 – Displacement Mapping
151 – 10:29 – CS3 – Rendering Clouds
152 – 26:21 – CS3 – High Dynamic Range (HDR) Using Photomatix Pro Overview
153 – 12:37 – CS3 – Creating a Mist Effect
154 – 12:19 – CS3 – Multiple-Exposure Impressionism
155 – 16:36 – CS4 – Drawing Attention to Your Subject
156 – 07:14 – CS4 – Improving a Landscape Photograph with Content-Aware Scaling
157 – 04:39 – CS4 – Retouching at Warp Speed
158 – 09:57 – CS4 – The Sledge Hammer of Color Correction
159 – 13:34 – CS4 – Transforming a Photograph Into a Painting Like You’ve Never Seen Before
160 – 08:00 – CS4 – Compositing with Smart Objects
161 – 08:55 – CS4 – Simulating Dramatic Studio Lighting
162 – 12:17 – CS4 – Right Brain Compositing
163 – 14:53 – CS4 – Secrets of Adobe Camera Raw 5.2
164 – 11:42 – CS4 – Creating Selective Focus
165 – 08:46 – CS4 – Creating a Color Grad Using the Photo Filter
166 – 13:11 – CS4 – Portrait Retouching in Adobe Camera Raw 5.2
167 – 09:59 – CS4 – Straightening Leaning Buildings without Affecting Other Areas
168 – 14:42 – CS4 – Graduated Filter Miracles in ACR 5.2
169 – 21:11 – CS4 – Selecting Difficult Subjects Like Fur And Hair
170 – 07:02 – CS4 – Creative Flash Blending
171 – 12:41 – CS4 – Tossed-on-the-Table Collage
172 – 14:29 – CS4 – Improving the Appearance of Color Infrared
173 – 13:43 – CS4 – Selecting Around Trees
174 – 15:32 – CS4 – Illustration Photo Effect
175 – 12:24 – CS4 – When to Use a Clipping Mask
176 – 14:02 – CS4 – Alternative Tossed-on-the-Table Collage
177 – 11:20 – CS4 – Multiple-Exposure Monet Using Only One Image
178 – 14:50 – CS4 – The Power of a Blur Vignette
179 – 07:42 – CS4 – Bulk Previewing a Series of Images
180 – 20:20 – CS4 – Using Calculations to Make a Difficult Selection
181 – 15:14 – CS4 – The Patch Tool is Your Friend
182 – 25:06 – CS4 – Shedding Light on Photoshop’s Histogram and Info Panels
183 – 11:16 – CS4 – Stylized HDR Effect in Adobe Camera Raw
184 – 11:00 – CS4 – Creating Rounded Corners and Curled Drop Shadows
185 – 12:11 – CS4 – Speedy and Realistic Skin Retouching Using Smart Filters
186 – 17:37 – CS4 – Single-Image HDR Processing with Photomatix
187 – 07:50 – CS4 – Reducing Chromatic Aberration
188 – 10:55 – CS4 – A Selection-free Method for Eliminating Color Where It Meets Black and White
189 – 14:28 – CS4 – Handheld Twilight Photography without Noise. Impossible? Think Again.
190 – 18:45 – CS4 – The Advantage of Converting an HDR Image to Black and White
191 – 10:15 – CS4 – Reducing Noise in an HDR Sky
192 – 11:45 – CS4 – Achieving the Grunge Look
193 – 14:57 – CS4 – Restoring a Weathered Old Photograph
194 – 11:04 – CS4 – Getting Creative with Edges and Borders
195 – 13:36 – CS4 – The Digital Chainsaw (Replacing a Tree)
196 – 07:53 – CS4 – Non-Destructive Shape Layer Masking
197 – 13:48 – CS4 – Using ACR and Smart Objects In Place of Bracketed Exposures
198 – 15:57 – CS4 – Dealing with Hot Spots During the Color Correction Process
199 – 16:18 – CS4 – Icing Your Subject
200 – 18:11 – CS4 – Paper Clipping a Note to a Photograph